Snažila som sa zamerať na materiál ako taký. Experimentujem v tom, ako a kde materiál umiestniť, čo ním chcem povedať alebo ako prekvapiť. Jednou z mojich najväčších inšpirácii boli hororové filmy s osemdesiatych rokov. Konkrétne to, akým spôsobom pracovali s dostupnými materiálmi a technológiami. Animatronika rozpohybovala všetky možné kreatúry a vdýchla im život. Práve o to som sa neskôr snažila v mojej práci – oživiť nehybný, strnulý materiál a dostať ho do popredia diania.

ENG:

My aim was to focus on the material as a whole. I experiment with materials, trying to find out where and how one can place them, what can be said with the material and what are its surprise elements. One of my biggest inspirations were horror movies from the ’80s. Especially, how they worked with the technologies and materials that were available only in the ’80s. Animatronics gave movement to a vast array of creatures and monsters, it simply made them alive. That’s exactly what I tried to accomplish in my work. To change a motionless, lifeless material into a seemingly living object.